https://dutchcourtesan2019.library.utoronto.ca/files/original/279be31351b2a01912b06d1b40482ddd.jpg fd437460d8b4527ccdb9d85a43a04dc5 https://dutchcourtesan2019.library.utoronto.ca/files/original/d02ff6ef9d328530fa46fb4e71327292.pdf 53a3223d9ae606bd1951c06370ccbf19 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document ‘Performing the City: Marston’s London 1605 and Toronto 2019’ (Panel 4: Learning From Rehearsal and Production – 2:15-3:30PM, 23 March 2019) Noam Lior (University of Toronto) Marston’s The Dutch Courtesan, like many city comedies, presents a paradoxical view of London. On the one hand, the city is proudly cosmopolitan and international, multi-cultural and multilinguistic. On the other hand, the city is deeply anxious about its identity, and which influences are to be seen as invasive or corrupting. Franceschina, the eponymous courtesan, is othered through her nationality and accent, while other characters are othered through affiliation with a minority religion. Identity and otherness form the framework of the comedy, in which laughter often signals a distinction between ‘us’ and ‘them’. This paper sketches out the play’s concerns with identity and otherness as a link between 17th century London and 21st century Toronto, a link which forms the basis for our production. Noam is one of the co-founders of Shakespeare at Play, and works as the project's dramaturge, editor, annotator, and occasional performer (playing older male roles when better actors are not available). Noam is an alumnus of the University College Drama Program and the Centre for Drama, Theatre, and Performance Studies at the University of Toronto, where his dissertation focused on digital multimedia Shakespeare editions. He also works as a director and dramaturge (sometimes even on non-Shakespeare plays!), is serving as dramaturge and judge for Spur-of-the-Moment Shakespeare Company's ShakesBeers Showdown. He is also Finance and Publications Co-ordinator for the Centre for Reformation and Renaissance Studies. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Abstract: 'Performing the City: Marston’s London 1605 and Toronto 2019’ (Lior) Subject The topic of the resource The Dutch Courtesan, "Marston, John", Dutch Courtesan 2019, Toronto Dutch Courtesan, conference abstract, early modern drama, non-Shakespearean drama, the city, cosmopolitanism, otherness, xenophobia, diversity Description An account of the resource Abstract for Noam Lior's 'Performing the CIty: Marston's London 1605 and Toronto 2019'. Includes biography for Lior. Creator An entity primarily responsible for making the resource "Lior, Noam" Date A point or period of time associated with an event in the lifecycle of the resource 2019-03-23, 1605, 17th century, 21st century Contributor An entity responsible for making contributions to the resource Dutch Courtesan 2019 project team Relation A related resource The Dutch Courtesan, Toronto Dutch Courtesan production Format The file format, physical medium, or dimensions of the resource .pdf (104KB) Language A language of the resource en-CA Type The nature or genre of the resource Text Object Identifier An unambiguous reference to the resource within a given context DC2019-0008 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto (CA), London (UK), 2019-03-22-23, 1605, 17th century, 21st century Date Available Date (often a range) that the resource became or will become available. 2019-06-30 Date Created Date of creation of the resource. 2019-03 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. The Dutch Courtesan, Toronto Dutch Courtesan production Extent The size or duration of the resource. 104KB Medium The material or physical carrier of the resource. Digital PDF Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Lior, Noam. 'Performing the City: Marston’s London 1605 and Toronto 2019'. 'Abstract. 'Strangers and Aliens in London and Toronto: Sex, Religion, and Xenophobia in John Marston's <em>The Dutch Courtesan</em>'. DC2019-0007. Dutch Courtesan 2019. Toronto, March 2019. https://dutchcourtesan2019.library.utoronto.ca/items/show/41 Spatial Coverage Spatial characteristics of the resource. Toronto (CA), London (UK) Temporal Coverage Temporal characteristics of the resource. 2019-03-23, 1605, 17th century, 21st century Accrual Method The method by which items are added to a collection. Materials solicited by the Dutch Courtesan project team. Accrual Periodicity The frequency with which items are added to a collection. Infrequently updated after 2019. Audience A class of entity for whom the resource is intended or useful. researchers, researchers of early modern drama, university instructors, undergraduate students, graduate students, actors Audience Education Level A class of entity, defined in terms of progression through an educational or training context, for which the described resource is intended. Post-Secondary, Graduate, Post-Graduate "Marston conference abstract cosmopolitanism diversity Dutch Courtesan 2019 early modern drama John" non-Shakespearean drama otherness the city The Dutch Courtesan Toronto Dutch Courtesan xenophobia