Strangers and Aliens in London and Toronto: Sex, Religion, and Xenophobia in John Marston's The Dutch Courtesan Conference Programme
Dublin Core
Title
Strangers and Aliens in London and Toronto: Sex, Religion, and Xenophobia in John Marston's The Dutch Courtesan Conference Programme
Subject
The Dutch Courtesan, "Marston, John", Dutch Courtesan 2019, Toronto Dutch Courtesan, conference programme, early modern drama, non-Shakespearean drama
Description
The conference programme for the 'Strangers and Aliens in London and Toronto: Sex, Religion, and Xenophobia in John Marston's The Dutch Courtesan conference. Includes presenter names, paper titles, and conference schedule and locations.
Creator
Dutch Courtesan 2019 project team
Date
2019-03-22-23, 1605
Relation
The Dutch Courtesan
Format
.pdf (176KB), original programme 7pp (8.5 x 11' folded booklet)
Language
en-CA
Type
Text Object, Physical Object
Identifier
DC2019-0001
Coverage
Toronto (CA), London (UK), 2019-03-22-23, 2019, 1605, 17th century
Date Available
2019-06-30
Date Created
2019-03
Is Format Of
Digital version of print programme.
Extent
173=6KB, references 7pp 8.5 x 11' (21.5 x 28cm) folded booklet
Medium
Digital PDF of paper programme.
Bibliographic Citation
Dutch Courtesan 2019 Project Team. 'Strangers and Aliens in London and Toronto: Sex, Religion, and Xenophobia in John Marston's The Dutch Courtesan Conference Programme'. DC2019-0001. Dutch Courtesan 2019. Toronto, March 2019. https://dutchcourtesan2019.library.utoronto.ca/items/show/5
Spatial Coverage
Toronto (CA), London (UK)
Temporal Coverage
2019-03-22-23
Accrual Method
Materials created by the Dutch Courtesan 2019 project team.
Accrual Periodicity
Infrequently updated after 2019.
Audience
researchers; researchers of early modern drama
Audience Education Level
Post-secondary, Graduate, Post-Graduate
Instructional Method
Independent research
Text Item Type Metadata
Text
Strangers & Aliens
in London & Toronto:
Sex, Religion, and Xenophobia in
Marston’s The Dutch Courtesan
22-23 March 2019
@courtesan2019 | @dutchcourtesan2019 | #DutchCourtesan2019
11:15am – 1:00pm
Panel 3: Sexual Worlds of Marston's Theatre
Chair: Deanne Williams (York)
Meghan C. Andrews (Lycoming), “Freevill the
Pimp & Beatrice’s Ring: Circulation and
Commodification in & out of The Dutch
Courtesan”
Liz Fox (Massachusetts/Amherst), “Seductive
Performance & Cosmopolitan Desire in The Dutch
Courtesan”
Rachel Warburton (Lakehead), “‘Be not so
passionate’: Whorish Anger in Marston’s The
Dutch Courtesan”
1:00-2:00pm
Lunch (provided for pre-registered participants)
2:15- 3:30pm
Panel 4: Learning from Rehearsal and Production
Chair: Sophie Tomlinson (Auckland)
Erin Julian (Co-Dramaturge) “‘Our hurtless mirth’:
What's Funny about The Dutch Courtesan?”
Noam Lior (Director) “Performing the City:
Marston's London 1605 and Toronto 2019”
3:30 – 5:30
Closing Remarks & Farewell Reception
Friday, 22 March
9:00 – 9:30am
Registration & coffee
9:30 – 9:45am
Welcome from this project's main institutional supporters:
Tamara Trojanowska, Director of Centre for Drama,
Theatre, & Performance Studies; David Klausner,
representative of the Department of English, & chair of PLS:
Poculi Ludique Societas; & Helen Ostovich, McMaster
University, researcher/organizer
9:45 – 11:15am
Panel 1: Commercial Theatre and The Dutch Courtesan
Chair: Elizabeth Pentland (York)
Lucy Munro (KCL), "Marston, The Dutch Courtesan, and
Theatrical Profit"
Tom Bishop (Auckland), "'La bella Franceschina': Italian
traces in Marston’s The Dutch Courtesan"
11:15 – 11:30am
Break
11:30am – 1:00pm
Panel 2: Religion as Foreign Invasion
Chair: Melinda Gough (McMaster)
Sophie Tomlinson (Auckland), “Reading Lording Barry's
The Family of Love, with Marston’s The Dutch Courtesan:
Bodies, Spirits, Scatology, & Society”
Andrew Fleck (UTEP): “‘To Creep into the Bowels of Our
Own Kingdom’: Familism, Disease, & the Body Politic in
John Marston’s The Dutch Courtesan”
1:00 – 2:00pm
Lunch (provided for pre-registered participants)
2:00 – 3:30pm
Keynote Address: The Editorial Context
Chair: Helen Ostovich (McMaster)
Speaker: Martin Butler (Leeds), The Dutch
Courtesan & the Oxford Marston
Respondent: Jeremy Lopez (Toronto)
3:30 – 3:45pm
Break
3:45 – 5:30pm
Workshop led by Noam Lior & Erin Julian
“Slight hasty labours in this easy play
Present not what you would, but what we may.”
5:30 – 7:30pm
Dinner at FLOCK on Harbord for conference presenters
8:00 – 10:30pm
Performance of The Dutch Courtesan at the Luella Massey
Studio (4 Glen Morris St)
Saturday, 23 March
9:00-9:30am
Coffee & Late Registration
9:30 – 11:00am
Roundtable: The Production Context
Chair: Helen Ostovich (McMaster)
Michael Cordner (York), & Oliver Jones (York), sharing “A
Conversation about The Dutch Courtesan, York 2013, &
Onwards”
Respondent: Peter Cockett (McMaster)
11:00 – 11:15am
Break
Note: All daytime events take place at the Robert Gill Theatre (214 College St)
Conference Organizers: David Klausner (Toronto/PLS), Helen
Ostovich (McMaster), Linda Phillips (Toronto/PLS), Erin Julian
(Toronto), Noam Lior (Toronto/PLS)
Acknowledgments: We wish to acknowledge that this conference
takes place on the traditional land of the Huron-Wendat, the Seneca,
and the Mississaugas of the Credit River. Today this meeting place is
still home to many Indigenous people from across Turtle Island. We
are grateful for the opportunity to work on this land.
The conference team also gratefully acknowledges the support of the
Social Sciences and Humanities Research Council of Canada; PLS; the
Centre for Drama, Theatre, & Performance Studies at the University of
Toronto; McMaster University; and Edward’s Boys.
in London & Toronto:
Sex, Religion, and Xenophobia in
Marston’s The Dutch Courtesan
22-23 March 2019
@courtesan2019 | @dutchcourtesan2019 | #DutchCourtesan2019
11:15am – 1:00pm
Panel 3: Sexual Worlds of Marston's Theatre
Chair: Deanne Williams (York)
Meghan C. Andrews (Lycoming), “Freevill the
Pimp & Beatrice’s Ring: Circulation and
Commodification in & out of The Dutch
Courtesan”
Liz Fox (Massachusetts/Amherst), “Seductive
Performance & Cosmopolitan Desire in The Dutch
Courtesan”
Rachel Warburton (Lakehead), “‘Be not so
passionate’: Whorish Anger in Marston’s The
Dutch Courtesan”
1:00-2:00pm
Lunch (provided for pre-registered participants)
2:15- 3:30pm
Panel 4: Learning from Rehearsal and Production
Chair: Sophie Tomlinson (Auckland)
Erin Julian (Co-Dramaturge) “‘Our hurtless mirth’:
What's Funny about The Dutch Courtesan?”
Noam Lior (Director) “Performing the City:
Marston's London 1605 and Toronto 2019”
3:30 – 5:30
Closing Remarks & Farewell Reception
Friday, 22 March
9:00 – 9:30am
Registration & coffee
9:30 – 9:45am
Welcome from this project's main institutional supporters:
Tamara Trojanowska, Director of Centre for Drama,
Theatre, & Performance Studies; David Klausner,
representative of the Department of English, & chair of PLS:
Poculi Ludique Societas; & Helen Ostovich, McMaster
University, researcher/organizer
9:45 – 11:15am
Panel 1: Commercial Theatre and The Dutch Courtesan
Chair: Elizabeth Pentland (York)
Lucy Munro (KCL), "Marston, The Dutch Courtesan, and
Theatrical Profit"
Tom Bishop (Auckland), "'La bella Franceschina': Italian
traces in Marston’s The Dutch Courtesan"
11:15 – 11:30am
Break
11:30am – 1:00pm
Panel 2: Religion as Foreign Invasion
Chair: Melinda Gough (McMaster)
Sophie Tomlinson (Auckland), “Reading Lording Barry's
The Family of Love, with Marston’s The Dutch Courtesan:
Bodies, Spirits, Scatology, & Society”
Andrew Fleck (UTEP): “‘To Creep into the Bowels of Our
Own Kingdom’: Familism, Disease, & the Body Politic in
John Marston’s The Dutch Courtesan”
1:00 – 2:00pm
Lunch (provided for pre-registered participants)
2:00 – 3:30pm
Keynote Address: The Editorial Context
Chair: Helen Ostovich (McMaster)
Speaker: Martin Butler (Leeds), The Dutch
Courtesan & the Oxford Marston
Respondent: Jeremy Lopez (Toronto)
3:30 – 3:45pm
Break
3:45 – 5:30pm
Workshop led by Noam Lior & Erin Julian
“Slight hasty labours in this easy play
Present not what you would, but what we may.”
5:30 – 7:30pm
Dinner at FLOCK on Harbord for conference presenters
8:00 – 10:30pm
Performance of The Dutch Courtesan at the Luella Massey
Studio (4 Glen Morris St)
Saturday, 23 March
9:00-9:30am
Coffee & Late Registration
9:30 – 11:00am
Roundtable: The Production Context
Chair: Helen Ostovich (McMaster)
Michael Cordner (York), & Oliver Jones (York), sharing “A
Conversation about The Dutch Courtesan, York 2013, &
Onwards”
Respondent: Peter Cockett (McMaster)
11:00 – 11:15am
Break
Note: All daytime events take place at the Robert Gill Theatre (214 College St)
Conference Organizers: David Klausner (Toronto/PLS), Helen
Ostovich (McMaster), Linda Phillips (Toronto/PLS), Erin Julian
(Toronto), Noam Lior (Toronto/PLS)
Acknowledgments: We wish to acknowledge that this conference
takes place on the traditional land of the Huron-Wendat, the Seneca,
and the Mississaugas of the Credit River. Today this meeting place is
still home to many Indigenous people from across Turtle Island. We
are grateful for the opportunity to work on this land.
The conference team also gratefully acknowledges the support of the
Social Sciences and Humanities Research Council of Canada; PLS; the
Centre for Drama, Theatre, & Performance Studies at the University of
Toronto; McMaster University; and Edward’s Boys.
Original Format
Paper conference programme
Files
Citation
Dutch Courtesan 2019 project team, “Strangers and Aliens in London and Toronto: Sex, Religion, and Xenophobia in John Marston's The Dutch Courtesan Conference Programme,” Dutch Courtesan 2019, accessed November 18, 2024, https://dutchcourtesan2019.library.utoronto.ca/items/show/5.
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